With such a huge body of work behind him it was not difficult to find existing forms to use for this typeface. Of course the use of colour is also critical in his work, and thus this typeface was intentionally left coloured.

Both the name and the very tactile collage look and feel of the posters try to persuade viewers to attend the festival and expand their understanding of electronic music first hand.

The cover relates to the questions asked in the various interviews throughout the issue, and formats them in the way you would normally find on a questionnaire.

The short nature of these installations was meant to simulate a conversation you might happen to overhear. Either you were there to experience them or they evaporated never to be seen again. In the same way you might be in the right place to overhear a fascinating story on the street. Tom documented the creation and evaporation of each piece allowing me to focus on the development of the pieces.

Off the Wall is the publication that documents and explains the project. Simple saddle stitch format and one colour printing allows the powerful images to speak for themselves.